Good to know we can change them whenever we want. Based on the keywords you choose, Amazon will select further sub-categories (if there are any) beyond the ones you can select. This started out fine, but randomly it got switched to the Literary Fiction category the other day (probably a glitch). The rank is under 300,000 now as a result. Would you recommend doing a free giveaway period in order to increase its free downloads rank (so as to make money off KU/KOLL rather than sales)? Since going live on Tuesday, the book has earned me two downloads and one sale. I know a big part of this is due to the glitch, but I'm also pretty sure it'll be a book not worth converting into a series. Do you do anything differently with books you decide not to make a series out of?Not 100% sure what you mean, but from your bookshelf you can edit a book you have already published and change the category yourself.
Good to know we can change them whenever we want. Based on the keywords you choose, Amazon will select further sub-categories (if there are any) beyond the ones you can select. This started out fine, but randomly it got switched to the Literary Fiction category the other day (probably a glitch). The rank is under 300,000 now as a result. Would you recommend doing a free giveaway period in order to increase its free downloads rank (so as to make money off KU/KOLL rather than sales)? Since going live on Tuesday, the book has earned me two downloads and one sale. I know a big part of this is due to the glitch, but I'm also pretty sure it'll be a book not worth converting into a series. Do you do anything differently with books you decide not to make a series out of?
I made the mistake of advertising it as part one of a series and even mentioned the title of the sequel plus wrote about half of it, so I'll finish this book. Would you recommend writing a short (~5K words) third part so that I have enough for a trilogy+bundle or would you just bundle the two and move on?Basically I spend all my time creating for want of a better phrase, the pilot for a series. Some work, some don't.
The ones that do I then set up a team and pay them to continue creating each episode of the series, as I know it will sell based on the pilot. I then produce more pilots and outsource the successful ones and keep repeating the process. That approach enables me to scale very quickly across multiple series, by concentrating my time on finding the series where the money lies and leaving the continued production to others.
The ones that don't seem to work, unless something went wrong and I feel it should be doing better, I just leave them. My definition of success and yours may differ but I have found that normally a successful book sells from day 1 so in a couple of days if you haven't registered any sales it probably isn't going to work. The key is learn to fail fast and move on.
I made the mistake of advertising it as part one of a series and even mentioned the title of the sequel plus wrote about half of it, so I'll finish this book. Would you recommend writing a short (~5K words) third part so that I have enough for a trilogy+bundle or would you just bundle the two and move on?
Thanks for all your advice, by the way.![]()
Nothing mean about your answer. I appreciate the insight.I don't want to be mean, but if they are not selling why bother continuing, who is going to care if the trilogy isn't complete? I would stop, choose another pen name and move on.
Awesome thread. I've read most of it (have to go back for some mid 20's numbered pages now) I have one question re pen names.. Are they obviously pen names or do they sound like real human's names? Just curious.
Basically I spend all my time creating for want of a better phrase, the pilot for a series. Some work, some don't.
The ones that do I then set up a team and pay them to continue creating each episode of the series, as I know it will sell based on the pilot. I then produce more pilots and outsource the successful ones and keep repeating the process. That approach enables me to scale very quickly across multiple series, by concentrating my time on finding the series where the money lies and leaving the continued production to others.
The ones that don't seem to work, unless something went wrong and I feel it should be doing better, I just leave them. My definition of success and yours may differ but I have found that normally a successful book sells from day 1 so in a couple of days if you haven't registered any sales it probably isn't going to work. The key is learn to fail fast and move on.
Nothing mean about your answer. I appreciate the insight.
Why choose a different pen name, though? I'd agree if there wasn't a cap on author pages we could make, but it seems odd to me. Isn't it better to have more books overall (associated with the same name, I mean), even if some are weak?
Are there any special marketing things you do to have your books sell from day 1? Or does it literally just take off once you post it?
I generally post the book, gather reviewers, do a free promo or something, and then the money starts rolling in about 3 weeks after I post the book when the promo finishes. I'm guessing that you have a lot of subscribers/people from your mailing list that will pick up your books right away, so that might be why you have more luck with day 1. It just seems like whenever I post new books without reviews or any marketing, the books just fall flat until I hype them up. Sometimes I get day 1 sales if I post new books in niches with way fewer competitors, but I've never really gotten high turn over from medium-larger niches (200 books+). Do you guys really just get a ton of day 1 sales from your super high quality descriptions/cover/previews? Any insight would be appreciated because I hate doing free promos, and it seems like most of you big guys are stopping them

Am I misunderstanding how KDP's exclusivity works? You need to accept it to get the 70% royalty and it puts your books in KOLL/KU. Is it for 90 days or forever? If only for 90 days, does that mean they remove it from KU after that period?
Thanks for the explanation on KDP.KDP will auto-renew every 90 days unless you set it otherwise. You can have 5 more free days for each of those periods.
With as much as KU brings in, I haven't pursued publishing anywhere else. Would love to know if I'm missing something though.
I'm guessing your three categories are 0 sales = fail, 1 to 19 = potential, 20+ = success?
Also, I noticed you have very few downloads (from KU/KOLL) overall. Do you prefer to sell at 35% so as to be able to upload to competitors like Google, Barnes&Noble, Smashwords, etc? I'm seeing more and more authors doing that, some saying that GooglePlay and Apple (through Smashwords) make up almost 50% of their sales.
GringoMonkey
But, if the pilot making 3 sales a day, why do you think it will take 50 days to get your money back?
In my case, first 10 days the sells are much better, and than it's go down and down.
It's not remain in the same level.
And how can you scale to a serials...do you mean that if the niche works - you create the plot in the same niche/sub niche?
For example, if i have a stand alone novel 25k words, i can't create a serials from it, as it's already have a "happy ending"
i just can scale and make the serials in the same niche, as i see it's works.
In my experience sales go up not down after a couple of weeks and then level off.
It is all in how you design the book/series. In my opinion when you create a book you should design it from the outset so you can turn it into a series and maintain buyer interest.
For option 1:I can't understand how it's possible in romance, or do you mean other genders?
It's just 2 options:
1) stand alone novel, and than it's end up with happy ending (they are married and happy)
2) cliffhanger that lead to second part of the series.
If you make anything else beside those options, readers will eat you alive
I guess we are talking about different genders here.