Recent content by haminuit

Everything you said is true. I've been playing for several years, and over time I've learned the ins and outs of these games. The sworn enemy remains the ATMs. Bypassing the DSP algorithm is relatively easy. Send me a private message; we can discuss it if you're interested.

DM me

hellas no me I am constantly looking for serious private distribution but it is complicated to find in general it is by nepotism like the world of work

I use tools to automate the activity, the goal is to remain as random as possible while appearing human. No, I don't simply let it be broadcast.

It will also depend on your configuration and how much it consumes in gigabytes to generate monetized listening. I would say that a good configuration consumes approximately between $150/250 in proxy per month to supply 500 accounts.

There are a lot of proxy providers even on the forum market but not all of them have the same options so it depends on your configuration but it is very easy to find

What you need to understand is that Spotify, Tidal & co don’t have the same anti-fraud system as distributors. Sending 1M premium streams to Spotify is fairly easy if you know your way around proxies, virtualization, Python, ChatGPT, etc. The real problem starts when your distributor receives...

Here's my latest (quarterly) shoot. To be clear, I have nothing to sell. I'm just here to share and flex a little. A huge thank you to the Black Hat community who taught me everything for free in 2017. After all the waves of bans back then, we all went our own way... this is where mine has led...

LANDR and Symphonic work on the same principle as distrokid you can have several accounts however pay attention to the fingerprint and do not remove all the accounts at the same time

It’s not about real, established artists. They already have organic traffic, so it’s easy to dilute fake streams in the crowd. This is mainly for the “shadow artists” created only to generate streams, where everything is fake from A to Z – and that’s much harder to hide.

A lot of people believe that Spotify, Tidal, or YouTube Music are heavily investing in fake stream detection. The reality is different. These platforms don’t spend much on that themselves – instead, they put huge pressure on distributors (TuneCore, DistroKid, CD Baby, Ditto, Amuse, Feiyr, etc.)...

The setup itself is actually very simple to implement. However, for the system to work, you need to maintain a minimum ratio between the number of listeners and the number of streams in order to properly monetize a track. It’s also important to note that in most cases, it’s the distributor who...

Hi everyone, Years ago, I was already registered here and closely followed the discussions about streaming. Since then, I had the opportunity to work in the music industry and see from the inside how a very large distributor that I cannot name operates. In particular, I got insights into their...

Interesting idea. You got part of the principle right, but you’re overcomplicating things with all these VMs and setups. In theory your approach makes sense (automation + rotation), but in practice it’s far from optimal. The way you’re doing it is not really scalable and will cause you more...