GAETANOS
Registered Member
- Jan 20, 2022
- 60
- 18
Hey everyone,
I want to openly talk about something you can see all over Instagram but people rarely discuss honestly: buying followers and engagement.
In the music industry it often feels like it’s basically standard practice you can spot it in jumps, unnatural like/comment ratios etc. And somehow it seems to “work” because of mass psychology: big numbers create social proof, and a lot of business people (promoters, bookers, brands, A&Rs) look at follower count first before they dig deeper. Also, real reach can come from other channels (TikTok, Spotify, PR, touring, collabs) Instagram then becomes more of a “shop window number” than the actual source of traction.
Also, bot/fake followers aren’t even limited to smaller artists. Even huge mainstream profiles (think celebrity-level accounts) have bots sitting in their follower base whether through spam, inactive accounts, or purchased growth. So the line between “organic” and “inflated” is blurry in general, and in music it seems especially normalized.
Do you see it as a legitimate lever if an artist already has real momentum? (e.g. going from 60k organically to 100k by “topping up”)
What are you guys thinking about this?
I want to openly talk about something you can see all over Instagram but people rarely discuss honestly: buying followers and engagement.
In the music industry it often feels like it’s basically standard practice you can spot it in jumps, unnatural like/comment ratios etc. And somehow it seems to “work” because of mass psychology: big numbers create social proof, and a lot of business people (promoters, bookers, brands, A&Rs) look at follower count first before they dig deeper. Also, real reach can come from other channels (TikTok, Spotify, PR, touring, collabs) Instagram then becomes more of a “shop window number” than the actual source of traction.
Also, bot/fake followers aren’t even limited to smaller artists. Even huge mainstream profiles (think celebrity-level accounts) have bots sitting in their follower base whether through spam, inactive accounts, or purchased growth. So the line between “organic” and “inflated” is blurry in general, and in music it seems especially normalized.
Do you see it as a legitimate lever if an artist already has real momentum? (e.g. going from 60k organically to 100k by “topping up”)
What are you guys thinking about this?